Did anyone else like blowing off school/ college/ work on a particularly grey, blustery, rainy day to stay home with a good spooky book and a mug of hot chocolate (or a can of coke, in my case)? There's NO sensation that compares to being indoors, warm and dry and snug, while a storm rages outside and the sea and sky are pewter meshing into graphite, until they are indistinguishable from each other. And to indulge in a ghost story while the howling wind and rattling windows provide the soundtrack? Bliss. Geez, I sound like I belong in the Addams family. But anyway.
This is where I lived when I was in Bombay:
A gorgeous apartment on the 14th floor with a sea-facing bedroom. It was breathtaking during the monsoons, and if you opened the windows at opposite ends of the flat, you created a wind tunnel with force to rival a jet engine: I loved it! So you can understand my fascination with abandoning everything else when it rained and curling up on the window seat with 'Frankenstein' or 'It' or 'Pet Sematary' or even 'Edgar Allen Poe's Short Stories' or 'Ruskin Bond's Ghost Stories from the Raj'. Where I'm going with all this rambling is that after almost a decade I managed to stumble across a book that invokes the same delicious little tingle down my spine and makes me look over my shoulder for shadows:
Rosemary Clement-Moore's 'The Splendor Falls' is typically categorized under the Young Adult Section, and why not - the protagonist is a teenage girl dealing with loss, love, jealousy, ghosts and magic. But to describe it so is to make it sound trite and predictable - and there one would do it a gross disservice.
In Sylvie Davis, Clement-Moore has managed to create a character not too many may be able to identify with initially - I mean, seriously, a ballet prodigy who has travelled the world and now finds herself unable to dance ever again at the age of 17? Beautiful, wealthy, world-weary at that age? Difficult to relate, and rather difficult to like - sardonic (I often like that, don't get me wrong, but I generally prefer my sarcasm without a side-order of bitchy), self-involved (okay, I can kinda relate there, obviously), self-pitying and singularly uninterested in anything but ballet (something I've never been interested in, having all the grace and elegance of a doped-up hippopotamus). But her connection to her deceased father, her awareness of the shortcomings in men, her love of the earth and life itself and her internal struggle to stay sane (and prove her sanity to herself, if no one else) make her grow on you - like an annoying roommate you start liking after you read her diary and find out she worries about the size of her butt too.
And the town, with its old-world beauty, down-South homey-ness, and busybody neighbours seems like it could be any town in any country, and that's where one starts feeling a pull: the place, the people, the stories that could be in your neighbourhood, your family, even.
But the real beauty in this book lies in the simple decriptions of chilling places and events: life and loss through the Civil War, floods and yellow fever creating a ghost town, an old prison echoing with the remnants and revenants of past cruelties inflicted, a lover being murdered, a scorned woman killing herself and being doomed to repeat the cycle for eternity, a cold broken man murdering a child. And through the centuries, the Davis family homestead where the very walls seem to hold their breath to stop the gasp of fear, and the woods outside pulsing with magic and misfortune and memories of loss. And superimposed over it all, the very believable and identifiable emotions of greed and teenage complacence. The tone and cadence of the story never veer into maudlin or overly dramatic, always striking the right balance of intriguing and downright creepy - enough to keep your attention from wandering without rolling your eyes and thinking "Seriously? We're supposed to buy this crap?"
The only grouse I had while reading this book is that I live in a desert country where rainy days are few and far between - a little grey light and moaning wind would've set the stage perfectly to go with the shivers down my spine.
In Sylvie Davis, Clement-Moore has managed to create a character not too many may be able to identify with initially - I mean, seriously, a ballet prodigy who has travelled the world and now finds herself unable to dance ever again at the age of 17? Beautiful, wealthy, world-weary at that age? Difficult to relate, and rather difficult to like - sardonic (I often like that, don't get me wrong, but I generally prefer my sarcasm without a side-order of bitchy), self-involved (okay, I can kinda relate there, obviously), self-pitying and singularly uninterested in anything but ballet (something I've never been interested in, having all the grace and elegance of a doped-up hippopotamus). But her connection to her deceased father, her awareness of the shortcomings in men, her love of the earth and life itself and her internal struggle to stay sane (and prove her sanity to herself, if no one else) make her grow on you - like an annoying roommate you start liking after you read her diary and find out she worries about the size of her butt too.
And the town, with its old-world beauty, down-South homey-ness, and busybody neighbours seems like it could be any town in any country, and that's where one starts feeling a pull: the place, the people, the stories that could be in your neighbourhood, your family, even.
But the real beauty in this book lies in the simple decriptions of chilling places and events: life and loss through the Civil War, floods and yellow fever creating a ghost town, an old prison echoing with the remnants and revenants of past cruelties inflicted, a lover being murdered, a scorned woman killing herself and being doomed to repeat the cycle for eternity, a cold broken man murdering a child. And through the centuries, the Davis family homestead where the very walls seem to hold their breath to stop the gasp of fear, and the woods outside pulsing with magic and misfortune and memories of loss. And superimposed over it all, the very believable and identifiable emotions of greed and teenage complacence. The tone and cadence of the story never veer into maudlin or overly dramatic, always striking the right balance of intriguing and downright creepy - enough to keep your attention from wandering without rolling your eyes and thinking "Seriously? We're supposed to buy this crap?"
The only grouse I had while reading this book is that I live in a desert country where rainy days are few and far between - a little grey light and moaning wind would've set the stage perfectly to go with the shivers down my spine.
